The Disney Grooming Syndicate‘s latest flick ‘Indiana Jones and the Dial of Destiny‘ starring Fleabag star Phoebe Waller–Not–Cates and Harrison Ford is an epic fail. It is expected to amass a paltry $55 – $60 million over the three–day weekend, well under its estimated box office underperformance of $10 million.
Produced by Kathleen “Franchise Killer” Kennedy and from the same talentless fetishists and woke–obsessed freaks who destroyed Star Wars and Willow, It looks like the left–wing feminists and wine moms just stayed away and failed to support the emasculating of Indiana Jones. Per studio estimates, before the dismal Friday numbers came in (just $24 million), Dial of Destiny was expected to gross anywhere from $60 to $65 million over the three–day weekend.
In 2008, Indiana Jones and the Kingdom of the Crystal Suck opened to $100 million over three days, and if you account for inflation, Crystal Suck opened to $141 million. Dial of Destiny is about to do less than half that, because of the lack of sex appeal from the Phoebe Waller–Not–Cates character, according to critics and viewers.
This was clear evidence that The Disney Grooming Syndicate‘s woke political agenda was toxic to moviegoers.
Even the Super Mario Bros. flick, with worse reviews, opened to a healthy $146 million. It’s $100 million less than Dial of Destiny‘s $400 million (production plus promotion) budget.
The flick‘s B+ CinemaScore indicates it won‘t even get any review bump. Anything below an A or A– is very bad news for repeat business and word–of–mouth recommendations.
It seems that America had enough of Disney systematically destroying our heroes with their identity politics. Lando Calrissian was turned into a pansexual, Han Solo was turned into a guy who couldn’t fly the Millenium Falcon as well as a Mary Sue named Rey, and Luke Skywalker was turned into a child killer and selfish curmudgeon.
Disney and Kathleen Kennedy might have thought they could grab some positive headlines by throwing out the $60 to $65 million box office projection, but the movie has now fallen well below that.
In conclusion, viewers made it clear: emasculating Indiana Jones is a movie they don‘t want to see. And no amount of woke identity politics or woke agenda will ever change that.
